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I read Celeste Ng's Little Fires Everywhere in 2018 - twice, because I wanted to read it a second time after I knew what happened. I reread it again this year after I watched the miniseries because I wasn't sure how I felt about two of the changes.

There are two things I thought were fantastic about the miniseries:

First, they got the late 90s vibe completely right. I knew all of the songs, and I wasn't sure if the 90s vibe felt so right because it was what the 90s were really like or because it so perfectly matched 90s teen movie vibes. I was in high school in 1997, and the downside to the excellent 90s vibe is that I couldn't tell if some of the things that I found cringy on behalf of the characters were because they were generally cringy behavior (in a way that was a deliberate part of the story) or because they were giving me mild flashbacks to my own teenage years.

Secondly, with only one misstep (AnnaSophia Robb as a younger Elena), the casting is phenomenal. In particular, the actors playing Lexie, Trip, and Moody are absolutely perfect. I saw Joshua Jackson and Reese Witherspoon in things when they were that age, and the only way Lexie, Trip, and Moody could have been better matches as their children would be if you could go back in time and bring teenage Josh and Reese forward to play them.

Now, the two changes I didn't like. Spoilers )
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I read about M+O 4EVR in a [livejournal.com profile] 50books_poc review that made a point not to spoil it. I went and read the summary at Amazon so I would be spoiled, and then put off reading it because I thought it was likely to be the kind of YA novel that would make me cry. I didn't cry and other spoilers. )
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Like I said when I talked about the last of Michelle Sagara's books, it's getting hard to say much about them. Cast in Peril is the eighth book in her Chronicles of Elantra series. If you're not already reading them, this book probably won't make sense to you. If you are reading them, keep going! This book is just as engaging and engrossing as the previous seven. Minor spoilers/thought about the structure/ending. )
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I had high hopes for Malinda Lo's Adaptation. Ash and Huntress were very good with the potential to be great, and I was hoping Lo would be one of those writers who really learns to write by the third book. I did read Adaptation in one quick sitting, but I was disappointed in it, and more so the more I think about it.

Summary )

The basic structural problem with the book is the same as the problem with Ash and Huntress: the story Lo seems to be setting up and the story she tells at the end are not the same story. Spoilers/Review )

I will probably read the sequel when it's published because this was such a fast read, and because the aliens, at least, won't be an unwelcome surprise. I might even like it better because I won't go into it with such high hopes.

I do have a copy of the book, so if anyone wants to read it for themselves, let me know and I will send it to you.
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I loved Justina Chen Headley's Girl Overboard, so I put Nothing but the Truth (and a few white lies) on my PaperBackSwap wishlist, and sat down and read it in one sitting last week.

Patty Ho's mother is Taiwanese; her absent father was white. Her older brother Abe is their mother's smart and athletic darling; Patty bears the brunt of her mother's strict parenting. A fortune teller reads Patty's belly button and predicts she'll end up dating a white guy, which prompts her mother to ship her off to math camp at Stanford for a month.

From there, the book is, in a lot of ways, your basic summer at camp changes a teenager's perspective on her life story, although the perspective she's changing is largely about coming to terms with her mixed race identity. It's also very good. One of the things I liked about it is the way that, while there are men in her story who make a difference, a lot of what gives Patty strength are her relationships with other women: Jasmine and Anne, who Patty calls Kung Fu Queens and whose friendship and example help her see herself as a Kung Fu Queen and part of their trio that she calls "Asian Mafia Girls"; Auntie Lu, who helps illuminate the past that explains just how strict Patty's mother is; and, of course, her mother, who Patty ultimately comes to understand better.

One warning: Spoilers. )

If you like YA lit, I highly recommend the book.
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I like long, in-depth book reviews. I like reading them. I like writing them. I think they're helpful. That said, I don't have a lot to say about Cast in Ruin. I adore the Elantra series, and this book didn't disappoint. Also, at this point, if you're not reading the series, a review of the seventh book probably isn't going to entice you to pick it up and read it from the beginning.

I will say that one of the things I've found interesting about Sagara's plots for the last two books is that each book dramatically ups the stakes. Spoilers ) I have read books where this leaves you excited for the next book only to have the next book do nothing with the change to the world. To Sagara's credit, this hasn't happened with the Elantra series. I'm excited to see what happens with the world in the next book, and I expect Sagara to provide me with an interesting answer.
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I loved both of Marisa de los Santos' previous books - Love Walked In and Belong To Me - so I was excited to see a new book from her, and Falling Together didn't disappoint.

Spoilers/Review )

All said, I loved this book, although I wish I had read it more slowly (I was up against a library due date and it was unrenewable). If you liked her previous books, you will definitely like this one, although if you didn't like those, you probably won't like this one either.
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The joke I kept making as I read Memoirs of a Teenage Amnesiac was that while I couldn't remember having read it before, it all seemed vaguely familiar. I'm not sure if that means I did read it once before, if it's because I'd read bits and pieces before when I was deciding if I wanted to read it, or if it's because the book is so well constructed that it all fits perfectly together.

Spoilers )
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Malinda Lo's Huntress takes place in the same world as Ash (my review here), only several hundred years earlier.

Our main characters are Kaede and Taisin, students at The Academy, where girls go to learn to be sages. Taisin has never wanted anything but to be a sage. Kaede has never even managed the simplest blessing, but she doesn't want to go home to be married off for political advantage. The land is in a state of constant winter, and the king has been invited to visit the Fairy Queen. Instead, he sends his son, Con, along with Taisin, Kaede, and a small batch of guards, to accept her invitation.

Spoilers/Review )

My greatest wish is for Malinda Lo to be one of those writers who really learns to write by the third book. Ash and Huntress are both good, with moments that are exquisite, but I think Lo has the potential to be truly great.

If anyone wants to read Huntress, leave me a comment, and you can have my copy.
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Cast In Chaos is the sixth book in the Chronicles of Elantra series. I don't have much to say about it. I still love this series. I love Kaylin. I do not love that they're still using a font without appropriate ligatures, although at least there were fewer fieflords in this book.

Spoilers )
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I try to avoid spoilers for books I already know I want to read, and I knew I wanted to read Malinda Lo's Ash the first time I saw it on the shelf at Barnes & Noble. I did read the opening comments of at least two posts that said, "Everyone keeps saying they wish this was longer, and so do I." I'll say that too, and I have some ideas about how it could be longer.

But before I get to that, I will say that I loved this. It's essentially a Cinderella retelling, Spoilers )

I did buy the book (yay for multiple Barnes & Noble gift cards!), so if anyone wants to read it, let me know and you can have my copy.
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Cast in Silence is the fourth book in the Elantra series. I've been reading them one by one as they come out, and I completely love them. This one was no exception.

I ended up staying up late one night to read part of this, and considering how committed I am to my usual sleep schedule, that says a lot. Spoilery Notes )

I do have to make one complaint about the book design. The designer either chose a font with only one ligature (of the typographic variety) or chose to turn off all but the ff one. Neither option makes any sense, and it's particularly troublesome in a book with multiple fiefs and fieflords and a lot of discussion thereof.
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Reading
I want to get back in the habit of reading books. As I mentioned in my 2009 wrap-up post, I pretty much stopped reading books in October. I have a job now, so I'm much less anxious about how I use my time. I started reading a lot at my old job because I would take a book with me and read at lunch. Now I come home for lunch, so I end up reading my email and LJ instead. I think I'll have to take to reading on weekends and some evenings again. As part of this, I'm going to continue to read at least one nonfiction book and one book by a PoC author every month. I don't even have to rely solely on the library for my book needs: not only do I still have money left on the Barnes & Noble gift card I got when I left my old job, but my parents also gave me a B&N gift card as part of my Hanukkah present.

Dance
I really want to dance more often. I love it when I do it. It's just doing it every day that seems to be a problem for me. I'm having trouble identifying the problem here, so I need to either put some more thought into it or just do it more often. I'm also planning to go back to ballet in February, depending on my budget.

Writing
My specific writing goals for 2010:
  • Finish and sell the novel. If I really keep to my goal of 200 words per day on weekdays and 1000 on the weekends, I should be able to finish it in about four and a half months.

  • Start/write the next novel. (I'm already setting it up in the first one.)

  • If I finish both of those, then start the five-novel series I already have notes and some character names for. (This is really a "when," not an "if;" the "if" portion is only about the time period.)

  • Finish the Mike/Kevin story. I have no idea where it's going, which is making this harder.

  • Finish the Chris/Steve space AU. I do know what happens next, and I don't think there's much left of the story.

  • Finish or give up on the Fuck City boywives AU. I got stuck because I didn't know enough about Ryan, Kyle, and Stu, but if they're really going to keep up with the podcast and get publicity for Burning Empires, then they might solve that problem for me.

  • As I mentioned in my December wrap-up post, I started an actor!Gabe/director!Victoria AU. I like the idea of actually writing the rest of it. The other large fan fiction project I keep thinking about tackling is the Leighton/Vicky-T Good Girls Go Bad AU, which I'm also entertaining the idea of writing as an original story. Given how my planned writing works out, I will probably end up writing some other kind of epic fan fic instead.
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If you need a refresher, I did make a 2009 Projects post. I've stuck the projects I added as time went on where they seem to logically fit.

Dewey Decimal Project
I did continue this, mostly. I did not read anything in October, much less a nonfiction book, but I did well with this project the rest of the year (in November and December, the nonfiction book was the only book I read), and I read a couple of books I really liked.

Music
One of the nonfiction books I read totally changed my life in a completely unexpected way. When I read Jonah Lehrer's Proust Was a Neuroscientist, I said, "This makes me think I need to start listening to new music. I know I've noticed my own tendency to not bother with music I don't already know." As a result of that, I started downloading every mix I came across and making a conscious effort to listen to new-to-me music. I found a lot of music I really like, a few things I hate, and some things I didn't like at first but that grew on me over time. I actually started listening to music more than watching TV as my background noise.

PoC Authors
In April, I added reading at least one book by a PoC author every month to my list of goals. I did really well with this all the way through September. I didn't manage to read anything for this in October, November, or December.

What happened with my reading is that in about September or October, I got very, very anxious about not having a job. If I was at my computer, even if I was just reading fan fic, there was a chance I would do work (either writing or job hunting), whereas if I sat on the couch and read, then I really wasn't doing any work, so I read almost nothing for the last three months. (I'll post my book list later today or later this weekend, and you can see how true that is.)

Food
I continue to eat vegan and gluten-free. This is not an issue for me, but it does make me difficult for other people to feed. I kind of forgot that I was giving up refined sugar at the beginning of 2009; that didn't last. I did give up chocolate, though, and that's working well for me.

Exercise
I did really, really well with most of this. I continue to walk three miles every morning and do at least some yoga every day. Weights are getting a little iffy with the change that I have a job and therefore less time at home. I think I'm going to try to do Monday, Wednesday, Saturday, and that way I can do them while I watch How I Met Your Mother on Monday, Mercy on Wednesday, and whatever I'm catching up with on Saturday. Dance continues to be a challenge for me, especially since I had to temporarily drop ballet because I couldn't afford it. (I didn't drop belly dance only because my teacher told me to just keep coming to class and I could pay her when I could.) I've been noticing my posture has gotten worse since then. I keep thinking I'm going to start doing pliƩs in the kitchen at least once a week, but then I don't do it. I do occasionally get up and kitchen dance party when I'm listening to music that I can't resist dancing to. (Note: I dance in the kitchen because it and the bathroom are the only non-carpeted areas of my house. Dancing on carpet is hard.) I'm going to have to think about how to approach this better.

Writing
Ugh. This is the one I don't want to look back on! I did submit a story to an anthology. It was rejected, so now I'm a real writer with a rejection notice. I didn't finish the third draft of football.txt or the paranormal mystery novel, nor did I start the lesbian romance novel. I did start an erotic novel and write a lot of fan fiction. My struggle with writing is that I write a lot, but I have a hard time being okay with what I'm writing. I keep thinking I should be writing other things, and then trying to remind myself that writing something is better than not writing at all. (I thought about doing the fan fic wrap-up meme, but I was kind of overwhelmed by how much I wrote this year. I'm still thinking about doing just the questions part.)

While I definitely think of myself as a writer, I found myself really discouraged this year about my ability to be the kind of writer who makes a living at it, so I've been startled when other people have put it in those terms. When I was looking for a job, my mom said I just need a job for now because eventually I'm going to live off of my writing. Then [livejournal.com profile] schuyler said in my holiday card that this is the year we get my writing career off the ground.

Something I started doing just in November or so around writing is being up front and honest, with myself, my writing group, and selected friends and family, about the fact that as much as I'd like to think I'm going to write a sci fi/fantasy or mainstream novel, I really only write erotica.
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I owe a debt of gratitude to [livejournal.com profile] anitabuchan for reviewing Justina Chin Headley's Girl Overboard on [livejournal.com profile] 50books_poc because I would never have picked it up otherwise. I have, in fact, read the inside flap of another of Justina Chin Headley's books in the library and decided not to read it. Considering how great this book was and how much the back of the book doesn't match the contents, I'll definitely be reading more of her work.

Girl Overboard centers around Syrah Cheng. Her dad is billionaire and business book author Ethan Cheng, and her mother is his socialite second wife. When the story opens, Syrah is recovering from a knee injury that's keeping her from her one true love: snowboarding.

Over the course of the book, Syrah works her way through her friendship with the best friend she used to snowboard with, her injury, making a new friend, her relationship to food and her family, and learning to use her rich girl resources (including the Cheng drive to succeed along with the Cheng money) to help others.

I just loved this book. I read it in two short sittings and didn't want it to end.

My biggest quibble with the back of the book is that it says, "...her own so-called boyfriend is only after her for her father's name." Spoilers )

Don't bother with the back of the book blurb and skip straight to the book itself.

If you're interested, I have a copy I'm giving away. Just let me know and you can have it! If it's not claimed by next Monday, it's going back up on PaperBackSwap.
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I don't have a lot to say about Climbing the Stairs. I did start reading it with the intention of reading for twenty minutes before bed and had to finally force myself to put it down and go to sleep an hour after my bedtime, so it was a pretty compelling read. Um. That's pretty much all I have to say about it.
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I was a little iffy about reading this book because I thought Tantalize was a little weak, and ended just as I was really getting into it. I thought Rain Is Not My Indian Name is actually much better written. It's a fairly standard YA novel where the girl's mother died years ago and her best friend recently, she's withdrawn into herself, and then the connections she has with other people draw her back into the world, and I found it totally emotionally satisfying. It even made me cry at the end, which is what that kind of book should do.

I not only liked Rain, I also liked the way all of the other characters are also real people with their own lives that we catch glimpses of. My favorite is probably Grampa, who spends the majority of the novel on vacation in Vegas and sends notes and emails back.

The reason I picked up this book even though I thought Tantalize had problems is that one of the reviews I read mentioned that Rain is a fangirl, and that's not something you see in very many books. For anyone else to whom this might be an enticement: it's not a major plot point, and, in fact, only gets two mentions. It's not quite a throw-away, only because she talks about fandom being something Fynn (her brother) introduced her to. The second mention kind of bothered me: "Me? I'd cleaned the house, read sci-fi fan fiction, and eavesdropped in Internet chat rooms." On the one hand, I know firsthand how easy it is to avoid real life by cleaning and hiding in fandom. On the other, I'm bothered by the reinforcing of the stereotype that fangirls don't have lives.
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Even though I just read it this week, The Arrival is my PoC author book for June. (I had another one, but I didn't start it until almost the end of the month and then discovered I hated it and couldn't finish it.)

I have to admit that I chose this because I figured it would be a fast read, which is true. I'm not much of a visual art person, so the fact that The Arrival is all picture and no words means it's not quite my kind of book, but there were things I really liked. First of all, I loved all the little creatures. They're totally awesome. Secondly, I like the way that every time he meets someone, it takes us into their stories. It was a neat bit of interweaving of stories. Thirdly, there's a panel I absolutely love, where he opens his suitcase and his family is sitting at a table inside it.
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I have to stop reading books without knowing anything about them ahead of time. I knew that a lot of people liked Sherman Alexie's The Absolutely True Diary of a Part-Time Indian, but I didn't know it was going to break my heart pretty much from the first page.

The book is about Junior and what happens the year he decides to leave the reservation school and go to Reardan, a small-town white high school twenty-two miles away. Junior is a cartoonist, and the book also includes his cartoons, from artist Ellen Forney. In a lot of ways, the book is ultimately hopeful. Junior navigates his way into life at Reardan, makes friends there, and reconciles with his best friend on the reservation. But it's not an easy road. Probably the most heartbreaking part was this:
Jeez, I've been to so many funerals in my short life.

I'm fourteen years old and I've been to forty-two funerals.

That's really the biggest difference between Indians and white people.

A few of my white classmates have been to a grandparent's funeral. And a few have lost an uncle or aunt. And one guy's brother died of leukemia when he was in third grade.

But there's nobody who has been to more than five funerals.

All my white friends can count their deaths on one hand.

I can count my fingers, toes, arms, legs, eyes, ears, nose, penis, butt cheeks, and nipples, and still not get close to my deaths.
I kept being reminded of a video (I think) I've never seen but have read descriptions of. The video is of black men and white men talking about racism, and one of the white men doesn't believe the PoC experience, and they keep pushing, and eventually he says something like he can't believe it because he can't live with the idea that our world can be like that. I felt like that guy reading this book. The first couple of times Junior talks about what it means to be Indian and poor, I felt myself resisting it. I don't want to believe that our world can be like that. Once I noticed myself resisting, though, I was able to let go of it and listen to Junior tell me his story.

I listened to Empires' "Spit the Dark" (acoustic version at their MySpace or download Howl with the album version I was listening to from their website) on repeat the whole time I was reading the book. (Yes, I'm the kind of person who will listen to one song on repeat for hours and hours and hours.) The lyrics that catch my ear are "I will guide you in the night" and "will you join me?" I also read the vision statement of To Write Love On Her Arms yesterday. Both of those things were in my head, and by the time I got to the end of the book, I felt opened up and full of love. It reminded me that one of happiness commandments is Love.

On a more intellectual note, part of why I wanted to read this is that one of the characters in my paranormal mystery novel is Native American and grew up on a reservation, and one of the things I'd like to do someday is write a prequel novel that tells her story. This book certainly gave me a lot to think about.

My instinctive white privilege/child of a social worker response to the issues of alcoholism and poverty was to think, "How could this be fixed?" And then my anti-racism resources reading/family support/strengthening side kicked in and said, "This is not your place to come up with a solution." I'm still left curious about what the perspectives of Native Americans are. The conclusion the book comes to is that what Junior has to do to break the cycle is to leave the reservation. If everyone leaves, what happens to the culture? Do other people have other solutions or is this the accepted solution? I don't expect anyone reading this to answer my questions, but they're certainly something I'll be thinking about to direct more of my reading.

In a different intellectual direction, the book design is awesome. If you're at all interested in books, I suggest taking a look at this for the design alone, even if you don't ultimately read it.
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As you probably know, I like sci fi. Octavia Butler is pretty much the classic PoC sci fi author. Aside from this, all I knew about her was that she writes vampire books and she wrote Kindred. I did not read anything about Kindred before I requested it from the library. I kept waiting for the vampires to show up, and only realized 35 pages in that it was not, in fact, a vampire book. D'oh!

Kindred is instead the story of Dana, a black woman married to a white man in 1976, who keeps traveling back to the nineteenth century at moments that allow her to save the life of her white, slave-owning ancestor Rufus.

I read the first thirty-some pages on Monday, another forty-some pages on Tuesday, and the rest of the book in one sitting yesterday, a sitting where I kept thinking, "At the next section break, I'll get up and do my weight lifting," but didn't. That's a pretty good sign that it's an engrossing, compelling story.

I have this idea in my head that Octavia Butler is a Serious Writer who deals with Serious Issues, which she does. The book clearly tackles both the issue of white slave owners fathering children with their black slaves via rape and the issue of how easily people adapt to their circumstances, even if those circumstances mean they become slaves. The Serious Issue that seemed hinted at but not directly addressed is how their time in the past changes Dana and Kevin's relationship in the present of 1976.

Some of the dialogue is a little stilted, and not the nineteenth-century dialogue, either, but the 1976 dialogue. I suspect most of that is simply the formula of writing in the 70s (I can't remember the last time I read a non-children's book written before 1990, so I don't really have anything to compare it to), but there's at least one spot where the message is showing a little too clearly.

In terms of broadening my experience of the world, I have to admit that I had a hard time really accepting how easily Dana adapted to being a slave. I'm not sure how much of this is the writing not pulling me far enough into her head and how much of it is my white privilege that means I've never had to think about what it would be like to be a slave, which is clearly something Dana lives with even before her time travel experiences. I was skimming Racialicious earlier today (is anyone talking about last night's ep of Better Off Ted?), and in recounting a discussion about BDSM race play, Andrea Plaid says, "Personally, I think of race play and, yeah, I feel the body memories of slavery, too," which makes me more convinced it's my white privilege showing.

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Ruth Sadelle Alderson

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