rsadelle: (Default)
Hiya, Dreamwidth friends! It is time for another Ruth spews thoughts about fannish things post. This is a real person version; I have not ruled out the possibility of a TV/movies/books version too.


Eldest Direction

First, Louis Tomlinson. His album has a release date! [personal profile] lakeeffectgirl and I have tickets to two back-to-back shows! His face is adorable!

One of his recent singles is "Kill My Mind." The first time I listened to it, I kept thinking his voice sounded like someone else, and it took me a bit to place that it reminded me of Brian Molko from Placebo. I went on a whole teenage music nostalgia journey (no idea how Louis feels about Placebo, but I'm sure he'd be pleased that I listened to some Oasis), and then turned it into a Tumblr post no one read. (That's a joke. I mean, it's true no one read it, but I don't really care that they didn't.) I learned two things from that exercise: 1. I know all the words to "Champagne Supernova." 2. There is a limit to how many videos you can embed into a Tumblr text post.

His most recent single is "We Made It," and I cannot tell you how many feelings I have about this song. It's a love song about his partner where he reminisces about visiting her at uni: "Share a single bed and tell each other what we dream about / Things we'd never say to someone else out loud." Friends, friends, I can't tell you how much I love that. It's a love song where the key is talking to each other and building emotional intimacy! Plus the bedsharing! My other favorite lyric from it is "Never comin' down with your hand in mind." Handholding! Ugh, so many of my favorite things all in one song. But also, beyond that, I've been thinking about how few love songs, particularly love songs by men, are about the emotional intimacy of building a relationship. This might be the most romantic song I've heard in years. I also recommend this acoustic version. Tumblr's auto-looping of videos is usually annoying, but in this case, yes, I do want to listen to that song over and over again.

One of the things people have latched onto in this round of promo is Louis's hatred of avocados. He said in this interview that if you liked them five years ago, you're fine, but he's very opposed to the trendiness of them. I am dying to know how his hatred of avocados goes over with his kid. His kid is a Southern Californian; he's going to eat avocados at friends' houses if not at his mom's.

Side note about his kid's mom: I can't tell if she actually looks about twelve years old in this picture or if it's just that the top of her dress looks like something I would have sen people wear in my childhood in the 80s.


Designer Direction

Next, Harry Styles. (He used to be fluffy bunny direction, but if he's not going to be a fluffy bunny - see below for the most recent video - he needed a new name, and I didn't want to use [personal profile] lakeeffectgirl's Gucci Direction on my public Twitter where people searching for Gucci might find it.) I read an excellent Twitter thread comparing the most recent Rolling Stone profile of Harry to the most recent Guardian profile of Taylor Swift. I agree with so much of it, and I have some additions:
  • In addition to the contrast of "Just date amazing women, or men, or whatever, who are going to fuck you up, and explore and have an adventure and let it affect you and write songs about it." as a positive thing for Harry with the criticism Taylor got for doing the same thing, the other thing I hate about it is the framing of other people, particularly women, as fodder for a man's art. The women he dates are real people with their own real lives. They do not exist for him to write music about.

  • There's a whole bit of the article about how he made his second album while doing a lot of psychedelics: "The chocolate edibles were kept in the studio fridge, right next to the blender." There is zero acknowledgment of the overlapping privileges that mean he could not only do that but tell a reporter about it. On the whole, famous rich white people don't get in trouble for illegal drug use, and men don't have to worry about what other people might do to them if they're intoxicated the way women do.

  • I was really underwhelmed by the bit where he says, about the End Gun Violence and Black Lives Matter stickers on his guitar, "Everyone in that room is on the same page and everyone knows what I stand for. I'm not saying I understand how it feels. I’m just trying to say, 'I see you,'" especially because it's lumped in with the part about him waving pride flags on stage. Look, I know everyone has to make their own choices about coming out and being out, but personally, I found this really disappointing. The vibe I got from his whole pride flags thing was that he was one of us, and this reads more like he's just a straight guy who's cool with other people. I mean, I'm pretty sure he's not actually a completely straight guy (based on the "Medicine" lyrics and the "Lights Up" video), but personally as a queer person, I really want him to acknowledge that he's one of us. Also, I'm really angry that the message of most celebrity coming outs is that it's okay to be out as long as you're already successful, and while he's already passed that level of success, he is still kind of a baby and I wouldn't be so irked about it now as I expect to be if he comes out at a much later date.
Do I sound disillusioned about him? I kind of am. He was also the host and musical guest on SNL, and his opening monologue has a "joke" that's a dig at Zayn, and apparently there is controversy about whether or not it's "just a joke." People, have you listened to "Perfect"? That would be a great song except for the part where they - including Harry - decided not to cut the bit that's clearly a dig at Taylor Swift. Harry has no problem shading someone he used to love. I know people want him to be better than that, but he isn't.

Harry also has two recent singles. I was kind of eh about "Lights Up." This is probably partly because of the video: I'm a lesbian; I don't want to see him shirtless and oiled up. (This post is basically the only thing I love about that video.) I like "Watermelon Sugar" better. I'm also pretty sure it's about going down on a girl. He did say the new album is all about having sex and feeling sad.

[personal profile] lakeeffectgirl and I have tickets to one of his shows, which I'm excited about! I didn't see him last year even though I really wanted to, and I'm all for BFF fangirl adventures.


The Other Directions

It seems like if I'm talking about the direction children, I should talk about all of them, so here's one bullet point for each of the others plus a bonus one:
  • I am deeply unimpressed with Liam's song where he is an extremely rich guy talking about how he needs to make money. Deeply unimpressed.

  • It's cracking me up that Zayn has a song where he repeatedly sings, "Light me up" just after Harry's "Lights Up." I know it's not really similar at all, but I'm still amused.

  • Niall is the only one of them whose new music I've heard on the radio. (Actually, first I just kept hearing them saying that was/up next is his song, but now I've been in the car at the right time to catch it.) The station that's been playing him is the one that was probably the most likely to have played Louis's new music before they changed format from alternative to more mainstream pop.

  • Bonus list item: I don't really like Shawn Mendes's music, except that Niall posted video on Instagram of himself dancing to "If I Can't Have You," and now every time I hear it on the radio, I think of Niall dancing and sing along.


Directions Fandom

At the point that directions fandom flipped out about my de-aging story, I was signed up for an exchange and had written about a thousand words of the story for it. I emailed the mods to see if I should stay in or drop out of the exchange, and while I was waiting for them, I started thinking about the things I would do with the story if I weren't using it for an exchange. By the time they got back to me, I decided I really wanted to write a version of the story with all the options I'd thought about, so I wrote something else for the exchange and ran the Choose Your Own Adventure Fic Fest so I would have some structure to actually finish the story version with options. As of this writing, that story has seven kudos, which is hilarious to me. The choose your own adventure format was new to me, and it was the first time in my 20+ years in fandom that I wrote tentacle porn, so I'm happy with it. I also learned in the process of planning the fest that fanfiction.net bans choose your own adventure stories, which is the kind of thing that surely has some sort of story behind it.


The Jonas Brothers

An update to the last time I talked about #JoBrosRenaissance2019: we went to see them! [personal profile] lakeeffectgirl, Sky, and I went to the show in Milwaukee in September. It was so great. So great. Being there with two of my best friends in a crowd full of 17,000 other women and girls who were there to cheer and sing and dance out of sheer love was the greatest thing.

We skipped the first opener, but got there in time for Bebe Rexha, who was the second opener. I love Bebe so much. Like the last time I saw her, she brought a dancing audience member up on stage with her. We'd noticed him in the pit before that, and he continued to be a great dancer on stage, to the point that Bebe was startled and delighted. I (again) cried when she did "Meant to Be." I like the song okay - I'll sing along to it on the radio - but it's pretty heteronormative and a little country in a bad way. It becomes something different when Bebe does it solo, and I have a lot of feelings about it.

The JoBros are amazing, of course. They'd have to be; they've been doing this since they were kids. We watched the Chasing Happiness documentary the night before, so I was already having feelings about them. They're so good on stage. It was fun and felt very rapid-paced in a good way. I am also in awe of the stagecraft: there were curved screens behind the stage that moved. They came down from the ceiling on a platform and up from under the stage on individual platforms. The B stage turned slowly and raised very high up in the air. They had confetti and lights above their stage that matched their music. They also had pyrotechnics, both some sparkly fireworks type and jets of flame for "Burnin' Up." I'd never been to a show with pyrotechnics before, and I was amazed that we could feel the heat from the flames twenty rows up. There was someone in the crowd near the B stage with a sign that said, "Frankie is our favorite Jonas Brother," and it kept getting shown on the screens because it was right behind the JoBros when they were on the B stage.

We didn't get a lot of sleep after the concert, because we had to be up early to get me to the airport, so we were all very tired and pretty quiet in the car in the morning. It wasn't a bad tired; I was exhausted, and I felt so incredibly happy.


WIPS

Current works in progress:
  • Harry/Zayn girl uni AU. They're both girls and there are a lot of sex scenes. I have no idea what I'm doing with it except planning another sex scene sometime after the one I'm in the middle of.

  • Canon partner girl AU (meaning: girl!Louis/Eleanor). I originally wanted a bit where girl!Louis is the drunk girl in a bathroom telling Eleanor she's beautiful, and then I, of course, decided it should be about Eleanor's queer identity discovery. Many thanks to Eleanor and her bff for posting Instagram photos that make for good references for what queer Eleanor might be like.

  • Still Star-Crossed modern AU with hickeys. After not working on this for something like a year, I went in and finished the scene I was on. It now only needs one more sex scene to be done. Will I ever write that scene? Who knows.
Current works not in progress:
  • Yuletide. I have an idea for a backup story on one of the other fandoms my recipient requested, but no solid ideas about a story for the fandom we matched on, which I really would like to write something for. I can tell I'm starting to get back to normal after my dental surgery, so maybe by next week I will figure this out.

  • Girl!Louis/Harry. I got to a point just before a sex scene and stopped working on it, but maybe "Watermelon Sugar" will inspire me to write that sex scene where Harry goes down on Louis while she's wearing a skirt.

  • Harry/Nick or Harry & Nick kid fic. This was going to be a story where they're not together but they have a kid together. I don't think I'm ever going back to it, so I guess I should wip amnesty it at some point.

  • GBBO fic. I am probably not going to write the story where Henry dates a girl and Michael pines and then the girl breaks up with Henry and tells him she can't give him the kind of sex he wants and Henry tells David and Nik about it and they set him up with a friend of theirs to find out how he likes being dommed by a guy and then Michael kisses him and he says that doesn't want to risk falling for someone who doesn't like the same things he does again and then Michael says he's thought about having Henry on his knees for him and telling him he's a good boy and then they live happily ever after with Michael being Henry's sweet and gentle dom, but I am going to think about it a lot.
rsadelle: (Default)
So here's the thing about Hamilton: I didn't listen to it when it first became big, and then I had that "well now it's popular and I don't want to listen to it" resistance to it. Last year, one of the local dance studios did their recital around a traveling through history theme, and their piece for the Revolutionary War was set to the "Here comes the General" bit from "Right Hand Man." It was incredible, and my mom turned to me between that and the next piece and said, "See? That's why I want to go see Hamilton." She waited in digital line for many hours when tickets went on sale, and we went to see it on Wednesday.

We both loved it. Many more words about it. )
rsadelle: (Default)
Hello Dreamwidth friends. This is a periodic here are some fannish things I want to write about but don't want to put on Tumblr and/or are too long for Twitter post.

In the promo for his new single, Louis said about the Kardashians:
I am not the biggest fan. I have younger sisters. I get a bit lost in trying to find why people are so drawn to them. The influence and how much time people spend on them is something I am very conscious of as a brother. There’s not much that bugs me but they do my f***ing head in. I feel a deep level of protection for my sisters.
Uh, as someone who follows his sisters on Instagram, I find him complaining about the Kardashians kind of ironic. I mean, I guess it's possible that the stuff that makes me raise my eyebrows a bit is specifically Kardashian-influenced, but it seems to me more like his sisters are the influencers. Most of what they all post is in their stories (where most of their Instagram stuff is) falls into three categories:
  • Food.

  • Generally adorable things about their youngest siblings who they all refer to as "my babies." (Note: the babies recently turned five.)

  • Things that make me shake my head and think, "Way to uphold the patriarchy."
One of my friends said of them, "their faces are all so anime-shaped," which I think might be more of a deliberate makeup and expression look than what their faces naturally look like - their mom wasn't that way, and Louis and the baby twins aren't anime-shaped at all. I feel like there are a lot of intersecting things here that I don't totally understand. I mean, I get some of the upholding the patriarchy stuff, but I think there's some Instagram influencer culture I'm missing, and I'm almost certain there's some British class structure stuff I don't understand. Anyway, that's enough of the being creepy on the internet portion of this entry.

The new single! Oh no, I cried. I also love that the lyric video is a sped up video of him writing out the lyrics by hand.

In a promo video thing for the new single, Louis says that he just needs a few more songs for the album, which he's been saying for, like, a year at least. He signed a new record deal last month, which I was hoping would push the album along. I really want him to go on tour this year! But I guess if he doesn't, [personal profile] lakeeffectgirl and I can go see the JoBros instead.

Yes, that's right, the Jonas Brothers are back! (This is the most hilarious post about it. I can't stop laughing.) I have been greatly enjoying #JoBrosRenaissance2019. I've been listening to them all week, which means I'm wandering around singing in my head things like, "I've been to the year 3000 / not much has changed / but they lived underwater / and your great-great-granddaughter / is doing fine." The video for "Sucker," their new song, is mildly not safe for work because it includes Joe, partly clothed, in suspension bondage. That's right: the JoBros put out a video with suspension bondage. Lest you worry, it's his partner who has him tied up, because she and Kevin and Joe's wives are all in the video. Lingering question: did they fake the bondage, hire a bondage expert, or did Sophie already know what she was doing?

Also in hilarious JoBros videos, they played Spill Your Guts or Fill Your Guts on James Corden's show. It's incredibly hilarious, and you get to hear Nick say, "I knew it would be a penis." (Warning for really gross food things.)

Speaking of boyband members with famous partners, I listened to this clip where Nick (Grimshaw - we've moved back to the direction children) and Sinead (the entertainment reporter) talk about Liam dating Naomi Campbell. Sinead reads him a tabloid bit about how an inside source says, "They're having mindblowing sex," and after Nick gets over being scandalized (I love how scandalized he is when talking about sex), he says that it must be someone from Liam's side of things saying that.

I watched this interview yesterday, wherein Louis spends most of the interview looking at Harry instead of at the camera, he calls Harry "Harold," and they have their arms linked at the end. I have a lot of feelings! (But, uh, not tinhatty feelings, because I know they're not really together. I mean, if you've known me for a long time, you probably know I'm not a tinhat, but, uh, I find it very hard to figure out if people who are into this pairing are tinhats or not, so it seems worth clarifying.) Also in that interview, Liam asks Harry, "What's that song that you and Zayn were dancing to?" He also asks that in this interview two years later, where it's phrased as, "What's that song that you and Zayn always dance to?" This means it really is a thing Zayn and Harry did as a thing, not just once. But also: Liam doesn't know the name of the song, which would be more understandable with a different song, but this one is "Jessie's Girl."

I've been thinking that Zayn's career is kind of like Bebe's: when they were tiny babies, they were in projects where they really used their incredible voices in interesting and creative ways, and then when they went solo, they went for a much more mainstream vocal style. I mean, they both still have amazing voices, but I think they're not using them in the same ways they used to.

Directions works actively in progress:
  • Big bang, which I can't tell you more about except to say that I have a rough draft!

  • Girl!Louis/Harry, which is mostly an excuse to write about girl!Louis's clothes. Not something I can finish at work because the next thing is a sex scene.

  • Tropey omegaverse, which is going to be almost all sex scenes, and therefore also not work safe.
Not directions works in progress I really do want to go back to someday:
  • Red Riding Hood (2011) post-movie fic, which has only a couple of paragraphs and, of course, needs a sex scene next.

  • Still Star-Crossed modern AU with hickeys, which really just needs, like, two more sex scenes.

  • Fast and Furious Mia story sequel, which is work safe but mostly I want to just think about it instead of writing it.
rsadelle: (Default)
Still super into Bebe Rexha's voice. Fuse's embed code did not play nicely with LJ, so you can watch the acoustic performance here.
rsadelle: (Default)
Today I'm thankful for the person who made this:



I've been thinking that The Carlton is the perfect dance move to go with Lady Gaga's "Applause," and I'm delighted that I'm not the only one.
rsadelle: (Default)
For today, have three of my favorite holiday songs. First, Dido's "Christmas Day":



Next, The Lonely Island featuring Justin Timberlake, "Dick In A Box," which only gets funnier over time:



Thirdly, the Muppets Chickens' rendition of "Joy to the World":

rsadelle: (Default)
I watched the video for Nicki Minaj's "Va Va Voom" partly because I wanted to listen to the song again after hearing it on the radio and partly because I was hoping for a lot of dancing (last time I went looking for such things, I was very disappointed to find that the only person belly dancing to Nicki Minaj was Nicki Minaj, and then only briefly). Instead, the video is entirely composed of imagery from Snow White.

rsadelle: (Default)
It's probably no coincidence that I watched a lot of Square One as a child and grew up to be a mathematically inclined adult. (If you did not grow up with Square One, you missed out. It was a sketch comedy show for kids about math. There appear to be whole episodes on YouTube, which I will be watching some of at a later date.) I fell into a YouTube hole of Square One musical numbers this afternoon. This is my all-time favorite. Just try listening without starting to sing along.

rsadelle: (Default)
Today I'm thankful for YouTube. Amongst all the other great things about it, if there's a song I have in my head but not my iTunes, I can pretty much always listen to it on YouTube. (This afternoon's song I keep replaying is Fergie's Glamorous featuring Ludacris.)
rsadelle: (Default)
Master Post

Mix number two is by [livejournal.com profile] roadmarks.

Oceans Won't Freeze

Download

  1. The Like - Fair Game

  2. Hawksley Workman - Striptease

  3. Garbage - As Heaven Is Wide

  4. Shiny Toy Guns - Frozen Oceans

  5. Pixies - Cactus

  6. Tegan and Sara - Back in Your Head

  7. Mother Mother - Body

  8. Ellie Goulding - Lights (Bassnectar Remix)

  9. City and Colour - Comin' Home

  10. Imogen Heap - First Train Home

  11. Stars - Ageless Beauty

  12. Florence + The Machine - Dog Days Are Over
[livejournal.com profile] roadmarks Notes: I had a blast reading and mixing for this fic and I can't wait to read it again! When I was mixing, I started out trying to pick songs that fit with the plot, but then I gave in to the urge to make a mix that was mostly about pining -- I hope you like it nonetheless! :)

Author's Notes: I think this is actually a stealth pining mix. I didn't realize it was the one with the mixer note about pining until I was looking for a title for the story and looked up the lyrics to all the songs in both mixes. This is such an upbeat mix that if you aren't paying attention to the lyrics you won't know how much pining there is in it. You could conceivably have a lively party to this mix. I love how well that fits with Leighton and Victoria being undercover and upbeat while they're missing each other.

A few specific notes: I love "Fair Game," and I'm not sure I'd ever heard anything by The Like before. My brother loves Bassnectar, so I can't wait to tell him someone put a Bassnectar remix on a mix for something I wrote. I love that both mixers put Stars songs on their mixes. I only knew one of their songs before, but now I'll definitely be looking for more. "First Train Home" keeps catching my ear. I love that this ends with "Dog Days Are Over," which is neither a pining nor coming home song, but a keep fighting song (at least in my head).
rsadelle: (Default)
Master Post

Mix number one is by [livejournal.com profile] delphinapterus.

Cover Art )

Undercover and Still In Love/It's A Bumpy Road

Download

  1. My Love Follows You Where You Go - Alison Krauss & Union Station

  2. The Night Starts Here - Stars

  3. Air We Breathe - Alisha's Attic

  4. Problem Queen - Danger Mouse & Daniel Luppi

  5. Constant Craving - k.d. lang

  6. Moments in Love - The Art of Noise

  7. Lies - Kaki King

  8. The Price We Pay - A Day to Remember

  9. Trouble Sleeping - Corinne Bailey Rae

  10. Code Red - Tori Amos

  11. Prelude to a Kiss - Alicia Keys

  12. I'm All Right - Madeleine Peyroux

  13. Home - David Byrne and Brian Eno
I knew one of the mixes had notes that the mixer had cut from following the plot to just making a pining mix. It's actually the other mix that has that note, but if you listen to this one, you can see why I thought it was this one on first listen. This mix has a lovely melancholy feel. If you are in a long distance relationship or unrequited love situation, you may not want to listen to this. I'm not in either of those situations, and it still almost made me cry on first listen.

A few specific notes: My dad is a big Alison Krauss fan, and I'm looking forward to telling him that I have one of her songs on a mix for something I wrote. I love that both mixers put Stars songs on their mixes. I did know this song, and I will have to go looking for more of their music. I was absolutely delighted to see Alisha's Attic on here. I haven't thought of them in years, but I remember loving one of their songs way back in the day. "Moments in Love" catches my ear every time I listen to this mix. "Home" is a lovely ending to this mix.
rsadelle: (Default)
Reduced Information Intake
I'm greatly reducing the things I read. I pruned my friends list, stopped reading fueledbygossip and Bandom TFLN (to the extent that I deleted them from my history so they wouldn't show up and tempt me when I start typing into the location bar), and stopped following Nathan Fillion and the majority of TAI's hangers-on and ex-bandmembers on Twitter. I was annoyed with Facebook's declining usefulness, but I guess it'll keep me from spending too much time there. Delicious has been similarly helpful. I'm only reading Sociological Images sporadically (I think I'm going to try once a week). I'm not clicking on every link that appears in my Twitter feed or email. (This is hard for me. I never want to miss anything, but I just need to remind myself that it's okay. I don't have to read/watch/listen to everything.) I'm trying to step away from the internet and go read a paper book when I'm feeling overwhelmed. This all sounds more dramatic than it actually is. I go through this kind of media pruning every once in a while when I'm either feeling like the internet is too much (which I have been for most of this month) or when I'm trying to cut out things that aren't my core priorities (which I'm starting to do since it's starting to be fall, which is when I have a lot more energy).

Movies
The last two movies I saw in theaters (unless there was something else in there I'm forgetting) were Colombiana, which I wanted to like more than I did, and Attack The Block, which I very much liked. Attack The Block was fun and funny, and the experience had the bonus points of (a) introducing [livejournal.com profile] norwich36 to our local art house theater and (b) running into a friend I'd just been thinking about but hadn't seen in years. A win all around!

I've had my Netflix account on hold for a while (and will probably keep it that way into the foreseeable future - again with technology helping me stay productive by being less and less useful), so I've been checking out DVDs from the library. I've seen some very bad movies. Two of those are Diane Keaton movies. I was looking to see what else Gabriel Macht had been in, and one of the things is Because I Said So, which was already on my Netflix queue (because Piper Perabo is in it; she's beautiful as always but the movie gives her nothing to do), and which my library owns. It's not a good movie, and yet I still cried. I'm so easily emotionally manipulated. But because the movie is all about a mother-daughter relationship (Diane Keaton and Mandy Moore), it reminded me of another movie that also has an interesting mother-daughter relationship: The Family Stone. It's possible that The Family Stone is even worse than Because I Said So, and I'd seen it before so I really should have known better. It does have one absolutely lovely moment between the mother and one of her daughters (Diane Keaton and Rachel McAdams) when they open presents.

I also watched The Edge of Love. Wikipedia quotes a review that says, "tonally it's all over the map," and isn't that the truth. I mean, I knew it wasn't going to be good when it was a Keira Knightley movie I'd never even heard of, but I didn't quite expect the part where it didn't know what kind of movie it was trying to be. Fun fact: my library actually owns two copies. According the catalog, there's a third one at another branch. Now I'm very curious about who makes DVD purchasing decisions for the system.

YA Unrec
I read Jennifer Hubbard's The Secret Year last week. It's not horrible, but it's very flat and it doesn't seem to have much purpose. It also has a surprising amount of talk about sex and people having sex (off screen) without ever actually being sexy. The best parts are the family parts. She should have stuck to that story.

Music
I heard Patrick Stump's "This City" (featuring Lupe Fiasco) on the radio yesterday. The radio! I had no idea it had made it off the internet.

New TV Shows I Have Watched One or More Episodes Of
It's not a coincidence that all of these have female protagonists.

Revenge: Ohhhh, I like this one. Soapy but not in a particularly ridiculous way, more in a way that draws you in. This is the new show I'm most impatient to watch the next episode of.

Ringer: This is not a great show, but it gets a few more episodes. If I decide I'm watching too much TV, this will probably be on the chopping block. I do appreciate that Sarah Michelle Gellar is managing to make Bridget, Siobhan, and Bridget-as-Siobhan three separate characters. Minor spoilers if you haven't watched to the end of the pilot. )

Charlie's Angels: Do not watch this show. It's terrible in nearly every way. You know how the Drew Barrymore-Lucy Liu-Cameron Diaz movies were fun? This is not. It's also not really a drama. They seem to be stuck somewhere in a middle ground where they don't know what tone to take, so it all falls a little flat. They don't even manage to make the fight scenes look good. Charlie being a voice on a speaker phone is creepy instead of the joke it probably should be. And then there's the race fail. I was going to leave the entirety of this warning outside of a cut, but once I wrote it all out, I realized how terrible and offensive it really is, so the description is behind the cut in case you'd rather not deal with it. Spoilers and race fail. )

Prime Suspect: I wasn't necessarily going to watch this, but then [livejournal.com profile] norwich36 said I should let her know if I made it past the first fifteen minutes, so I watched it so I could talk to her about it. The sexism is pretty outrageous, and neither one of us or my mother (who I also talked to about it) believed the blatant nature of it. I'm hoping that was just a setup and that now that they have the attitude established, it can be more realistic and subtle. What's most interesting about the show, and what I didn't know from the one ad I kept seeing at the movie theater, is that she's partnered. (It's probably not a good thing that I can't remember the names of either Maria Bello's character or the partner.) Before you get too excited by my choice of terminology, the partner is male. Their relationship is very interesting, and it's what's going to make me watch at least one more episode. What I really want is for someone on YouTube to cut together reels of just those interactions for each episode. I would watch all of those. As it is, this is likely to be one of those shows where I watch an episode here and there when I'm in the mood for a cop show.

The Secret Circle: I wasn't sure about this show. [livejournal.com profile] siryn99 suggested it, and [livejournal.com profile] eleanor_lavish didn't think much of it. I gave it two episodes because the first one was painfully establishing, but two episodes is all it's getting. I might remember to read some brief recaps in a couple of months to see what happens, but it's not worth watching. A few miscellaneous thoughts: Never before have I so clearly seen the use of magic as a metaphor for sex. It's suffering in the transition from page to screen, particularly in the pilot where I could practically see the inner monologue. Somewhere there is a problem in the logic of there being six people to complete the circle when all twelve of the current six's parents seem to have been in the previous one. I would much rather watch a whole show about Faye than Cassie. It really makes me want to watch The Craft, which is an urge I get often enough that I might just buy it.

Returning and Ongoing Shows I'm Watching
In addition to the things below, I'll also be watching Leverage and Rizzoli & Isles when we get to the second half of their split seasons.

Haven: I was looking for things to watch, and [livejournal.com profile] norwich36 sent me a link to a thread of shows to catch up on over the summer that have strong female characters. This was on it, so I watched my way through the first season. What surprised me most were how many people I know replied to me when I tweeted about watching it. Who else is watching this show I'd never even heard of but love? (I have more to say about Haven, but it's going in a separate entry.)

Hawaii Five-0: This show continues to be absolutely ridiculous, and yet fun. Minor Spoilers )

Nikita: I love this show. I'm completely captivated by the story and the relationships. Spoilers )
rsadelle: (Default)
If Melissa Ferrick's "Drive" (listen/download at box.net) is the ultimate song about sex, then Melissa Etheridge's "Sleep" (listen/download at box.net) is the ultimate song about afterglow.

This post has been brought to you by lesbian singers named Melissa and that time a record label retweeted me.
rsadelle: (Default)
I've been thinking recently that Empires' lyrics are interesting in how few of them are gender specific. "Hayley" is about a girl, and "My Poor Lover" uses "she," but the pronouns in pretty much everything else stick to first and second person. Then, recently, there's "Darko" which is possibly (but probably not) about kinky bisexual exhibitionist sex with strangers: "Mystery man, will you watch my back / while I breathe her deep through the evening cracks" and "Man, oh man, if you watch my back / I will breathe you deep through the evening cracks." And now there's "Hell's Heroes," which starts with "My first love / he went away." Even though I liked their gender neutrality, I'm surprised by an actual male first love.

Several of my friends are into Hawaii Five-0. I watched two eps and got why fangirls like it but didn't care. [livejournal.com profile] norwich36 keeps telling me about the fic, though, and then she sent me some links, so I read some fic. And then I read some more fic. And then I started to run out of easily findable fic that was good. (There's a lot, but some of it, even some of the high hit count things at AO3, is not good.) So then I started watching the show from the beginning, and now I care about it. The thing is that I'm used to fan fic, where we take tiny things and blow them up into something much bigger. This is not a fandom where that's happening. All the things I assumed were tiny things that happened once or were fannish invention are, instead, actual plot points from the show. Steve and Danny are basically dating from the first ep. People involved in their cases start asking them how long they've been married in episode four. I expected them to hold hands and the end of episode eight. Danny starts calling Steve "babe" in episode ten. I'm also finding it fascinating in how it's not so much homoerotic as homodomestic - Steve and Danny's interaction is less sexual and more domestically familiar.
rsadelle: (Default)
In case you missed it, I spent a long weekend visiting friends in New York. This involved a movie premiere, a concert (the reason I went this particular weekend instead of some other), other fannish delights, and food. Plus a lot of just hanging about with some of my favorite people in the world.

Talihina Sky

Thursday night was adventure number one: Talihina Sky. In case you have never heard of it, it is a documentary about the Kings of Leon. We did not just see this movie; we attended the premiere at the Tribeca Film Festival. Premiere adventures. )

My Chemical Romance

On Friday night, we went to see MCR. You can read an actual review of the show here. My thoughts on the experience. )

Other Fannish Viewing

We watched a bunch of fannish things, as you do when spending a long weekend with fangirls.

Panic!, AAR, MCR, Community )

Food

One of the promises about this trip was that we would go to BabyCakes, which is a vegan, gluten-free bakery, so on Saturday night we did just that. I bought a cupcake and an apple crumble thing (kind of like a coffee cake). The cake part of the cupcake was fine. The frosting was amazing. It tastes like a cream cheese frosting, but it's vegan. I had the apple crumble as part of my breakfast on Sunday morning, and then promptly started googling vegan, gluten-free apple cake recipes. I may have to buy one of their cookbooks. We also went to Risotteria, a gluten-free Italian place, where we each had a different kind of risotto. I may also have to learn how to make risotto now.

Concluding Note

Fangirl weekends are the best. You should have them if you don't already. ♥
rsadelle: (Default)
Remember that time I expressed the unpopular opinion that I liked the (New Regrets) version of "Spotlight" better than the (Oh Nostalgia) version? Patrick agrees with me.
rsadelle: (Default)
A couple of weeks ago, I read this Alternative Press article about how bands don't make any money. They mention that the best thing you can do to financially support a band is to go to a show and buy a t-shirt while you're there. The article made me feel horribly guilty for not spending money on music. I don't really go to shows and I don't want band t-shirts (so not my style to wear things with designs, plus I only wear v-necks) or other merch (I'm not into buying stuff these days). And yet, I really want to financially support bands I support in other ways. [livejournal.com profile] lakeeffectgirl pointed out that Empires has a donate button on this page of their website (it's hidden waaaaay at the bottom under the Twitter box, and the layout breaks and hides it in Chrome), so I gave them some money. This resulted in not one but two thank-you notes (possibly from a template, but definitely not auto-generated as they came one and two days after I donated), one from management and one from Tom. This is part of why I adore this band; they are truly that sweet and that dedicated to being close to their fans. If you want more than just a thank you for your money, you can buy some of their merch or one of Tom's prints. (If you like Tom's style but not any of the specific prints there, he does rotate them - as soon as one sells out, he puts up something new. You can follow him on Twitter or his blog/[livejournal.com profile] tomconradsyn to see when he puts up something new.) You should also read [livejournal.com profile] lakeeffectgirl's post which says all this more fervently and more eloquently than I just did.

There is also an easy, non-financial way you can support Empires. They are one of sixteen bands in a contest to be the first unsigned band on the cover of Rolling Stone. However you feel about Rolling Stone as a publication, this is awesome exposure for Empires. Go here and give them five stars. If you have access to multiple computers with different IP addresses, vote from all of them!

And if Empires isn't your speed, then take this opportunity to support whatever bands or artists are your speed. As Tom's header says, "Buy art, even if it's not from here." ♥
rsadelle: (Default)
Christian Kane is at the top of a new list: bands I would go to Sacramento to see again. The concert was fucking awesome, and the experience was tons of fun.

The Stoney Inn is a funky place: you come into the small front bar, which has karaoke, stairs to a tiny upstairs area, bathrooms, and the door to the back bar/performance space. In the back bar, there are tables and bar-height seating around the dance floor that's right in front of the stage. (If you paid for either level of expensive tickets, you got a reserved seat. The rest of us stood, which was fine with me and [livejournal.com profile] norwich36 hung around the edges and sat when someone either didn't show up or vacated their reserved seat.)

The first opener was a girl named Pammie Lowe. Everything she was wearing sparkled. Her bassist and drummer were about as young as she was (I found an article saying she was 21 as of November 2010). Her two guitarists (she was also playing guitar) and the keyboardist were all old enough to be her dad, or possibly even her grandpa. (If you've seen Country Strong, Pammie Lowe reminded me a bit of the first time we see Chiles on stage, only with less stage presence and no stage fright.) There was a woman on the dance floor trying to get people to dance. I assume it was Pammie Lowe's aunt as mom was probably the woman right in front of the stage taking pictures. There were a few truly skilled couples who did some country swing dancing, and the people who seemed to be Stoney Inn regulars eventually started line dancing. After the first one, I joined in even though I didn't know what I was doing - the regulars were used to this and kept pointing us newbies in the right direction - which was tons of fun.

Picture )

The second opener was the Brodie Stewart Band. They did a couple of covers that were fun - including Bon Jovi's "Wanted Dead or Alive," which only made us feel more like we were in a J2 AU - but that's really all there is to say about them. The most notable thing about their set is that there is a teeny tiny balcony area up above the stage, and Steve was up there watching for part of it. (I decided not to be ultra creepy and refrained from taking a picture of him up there.)

Between sets, there was line dancing, and I mean serious line dancing. The dance floor cleared enough space for a large group of people to line dance and then the DJ called each dance and counted everyone in. There were two women I couldn't stop watching.

Picture )

This is not the best picture of them, but you can get the idea. They spent a lot of time dancing together, which was interesting in that it wasn't quite the girls dancing together for the attention of men thing (although the two drunk guys with cowboy hats - Jared and Jensen in the AU - did come dance with them a bit later, which kind of ruined my enjoyment of them for those brief periods of time), but more that they were just having fun. Both [livejournal.com profile] norwich36 and I hope they're actually lesbians and not just friends out having fun together. (In the AU, they're Danneel and Katy Cassidy. Alternately, I now kind of want to read or write a country novel where there's a lesbian couple and a gay couple and they go to shows together because it's less dangerous/more socially acceptable.)

Kane (at the very end, Chris said, "We're Kane," which was awesome since I thought they'd abandoned that as a band name and were doing everything under Christian Kane) finally came on around ten. They were so fucking awesome. I'm an Original Kaniac (as silly as the term is), so obviously I was going to think they were awesome, but they really were totally awesome. I worked my way up so I was in the thick of the crowd (maybe five or six people deep from the stage), and despite being short, I managed to see both Chris and Steve. People, I don't know how to tell you how much I loved this experience, so let me stick to highlights:

This got long. )

Pictures! Kane on stage and me with Steve. )

Out of order (but complete, I think) set list: The House Rules; Callin' All Country Women; American Made; Let's Take a Drive; Let Me Go (Chris said this is going to be the next single); Thinking of You; Whiskey In Mind; Seven Days; Middle American Saturday Night; Luckenbach, Texas; something of Jason's that I didn't catch the name of (maybe "Faith"? It was the one song none of us knew); Blaze; and Rattlesnake Smile as the encore.
rsadelle: (Default)
I correctly guessed that [livejournal.com profile] mayqueen517 wrote "The Fastest Way Back Home" for [livejournal.com profile] no_tags, and as a reward she offered to make a mix for any of my fic. I chose Changes His Coat, Not His Disposition, and she made me this mix. It has a lovely feel, and I love the somewhat spooky beginning. (And I may have then listened to Florence and the Machine's "Howl" on repeat for an afternoon.)
rsadelle: (Default)
I started this post early this morning, before I even went to work. Today was a busy - and constantly busy - day, and I loved having this post to come back to at lunch and this evening. So although this is a post of three things that are making me happy, the post itself is a bonus fourth.

Christian Kane's The House Rules
Okay, I know this came out in December, but I just bought it yesterday. I couldn't listen to it and write at the same time because I just wanted to grin and sing along, so I listened to it on my walk this morning. (Thing I don't think I've mentioned here yet: four of my amazing friends went in together and bought me a tiny, red iPod! So now I start my day thinking of them and listening to music on my morning walk.) I'm pretty delighted by it.

Chris's gender politics are interesting as always: he makes a distinction on "Callin' All Country Women" between "uptown girls" and "country women," which is perhaps not the best presentation of "uptown girls," but very interesting in that I read this post, in which the comments discuss the way women aren't referred to as "women" this week. (He himself is a "country boy" in the lyrics.) "American Made" refers to women as everything from "women" to "girls" to "beauties" to "ladies," depending on the fit with the lyric - although he does refer to "my girl."

He also does a pretty straight up cover of Tracy Chapman's "Fast Car" - the only lyric he changed was from "checkout girl" to "checkout boy," which was jarring the first time I heard it but not the second. (His tweet wondering what Tracy thinks of his cover is what prompted me to finally go buy the album.) It's an interesting choice, and I think it works well.

The most interesting thing about my emotional reaction is that I wish I'd bought the CD + digital download version. I didn't because I thought, "Of course I don't need a CD," but it turns out that when it comes to Chris, that does actually matter to me. Strange! I do have an unused Amazon gift card, so maybe I'll use part of it to get the actual CD.

Rosemary Clement-Moore's The Splendor Falls
The last book I read was bad. Really, really bad. (I'm writing an unrec post for [livejournal.com profile] romoerotic. I require a lot of words to describe how bad it was and why.) Anything else would probably look good in comparison, but The Splendor Falls is genuinely excellent. It has a compelling first-person narrator, an interesting plot, and the word "collarbone." (Those of you who don't follow me on Twitter may not realize that the use of the word "clavicle" has reached epidemic proportions. There are, of course, appropriate situations for the word "clavicle," but next time you write it, think about your intent. Are you providing a clinical listing of body parts for an anatomy test or trying to give your reader a sense of the beauty and sensuality of the human body? If it's the first, by all means do use "clavicle." If it's the second, switch to "collarbone." We'll all be a lot happier. [If you really feel the need to use "clavicle," I would be totally down with a Brendon/Spencer college AU where Spencer's studying anatomy by using the technical terms for all of Brendon's body parts as he touches/kisses them.]) Every time I start reading, I don't want to stop.

My Inspirational Desk
Between yoga and Sean Van Vleet's obsession with Steven Pressfield, which he has then passed on to several of my friends, I can't escape the concept of resistance. I finally bought white index cards so I could write "No resistance. Just let it be easy." on the back of one. It's more a paraphrase of something my yoga teacher said than it is a Pressfield reference (I've tried to read The War of Art twice, but haven't managed to finish it), but it's absolutely helpful writing advice. Monday's reading at yoga was the first four lines of this. I almost didn't catch anything else she said because I found "Empty yourself of everything" to be so powerful. I now have that on an index card on the other side of my monitor. (I didn't estimate well, so it's not centered and the letters squish together at the end. I'm trying to figure out if I can empty myself of the need for it to be right or if I just need to rewrite it.)

I was so pleased with my index cards last night (I'm thinking about doing a whole series of handwritten cards of things I find inspirational so I can shuffle them and let the hand of fate choose what I need in the moment when I need inspiration), and then I looked at the few other things on my desk, and realized that they are also keeping me in touch with good things. I have a heart-shaped petrified wood paperweight that I got from my belly dance class when I quit my last job to write, which reminds me both of my commitment to writing and the support of others. The cable for my iPod, which reminds me of the people who gave it to me, lies in a slight curve to my right. And then there's a small, wooden whale, which I bought at the woodworking place in Ghirardelli Square on a work trip. Something about its puppy dog expression called to me, even though I don't like puppies and have left my dolphin and whale obsession in my past. Part of one of its flippers has broken off, so it lists a bit, but the wood is as smooth as ever.

Profile

rsadelle: (Default)
Ruth Sadelle Alderson

Syndicate

RSS Atom

Tags

Expand Cut Tags

No cut tags