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Like so many other fannish types, I went to see Moulin Rouge on its opening night. The comedy in the movie is wonderful. It's extremely funny and full of sexual innuendo, just my kind of thing. The drama is not so wonderful.

Christian and Satine are a cliche, and a boring one at that. We know the story by now, and Baz Luhrman hasn't done anything new to the dramatic elements, other than throw song lyrics into every conversation.

In fact, crediting the movie entirely to Baz Luhrman is misleading. The plot is painfully unoriginal. He uses song lyrics as dialogue. He steals from everywhere. Satine says of Christian, "The boy is infatuated with me," a line straight out of To Die For. Her costume in one scene of their rehearsal is a copy of Queen Amidala's formalwear from The Phantom Menace.

As the movie opens, Baz spins the camera around his lush sets and well-trained dancers, then overlays it with music in such a way that you're never quite sure what you're seeing or hearing. It's as if he heard a bunch of songs on the radio and wanted to put images with them.

The strongest moments in Moulin Rouge are, as I said, the comic ones. The opening scene has an unconscious Argentinian crashing through Christian's cieling, closely followed by a midget with a lisp in a nun's costume. Some of the best scenes are those in which Zidler and the Duke seduce each other with words and song in Satine's name, even going so far as to sing "Like a Virgin" at one point.

I still don't understand the appeal Ewan McGregor holds for so many people. As Christian, he is excruciatingly ordinary. Christians are a dime a dozen in any piece about the period. He is the male dull spot in the bright array of characters who are far too colorful to be real.

Nicole Kidman's Satine is the female dull spot. Satine is too much Nicole and not enough Satine. I've seen her do nearly everything she does as Satine as herself in various interviews in the last month. The way she says, "A real actress," from inside a circle of cancan dancers is pure Suzanne Stone Maretto, her character in To Die For. Nicole is at her best when she's strong, as she is when she informs Christian that love is not enough in the real world. Unfortunately, Satine spends much of the movie coughing up blood and being a giggly schoolgirl.

For all the fuss about the chemistry between Nicole and Ewan, I had a very hard time believing that Satine and Christian were so deeply in love. Only when they appear onstage as the Hindu courtesan and the penniless sitar player can I believe it.

The same effect is even more pronounced in Satine. She is always acting, except when she's onstage. She proclaims her wish to be "a real actress" onstage. She first faints onstage. She tells Christian she loves him onstage. She dies onstage. It's made me very cynical towards Nicole herself. Nicole is an actress, and she's been in the public spotlight for a long time. Do you really think she didn't know what Oprah was going to ask her? Do you really think she hadn't thought about how she was going to answer? According to Entertainment Weekly, she's winning in the court of public opinion regarding her divorce from Tom. Do you really think that's accidental?

Pt. 2

Date: 2001-06-02 11:53 am (UTC)
From: [identity profile] meacoustic.livejournal.com
Your criticism of Christian, I must admit, does hit the nail on the head. Christian is rather ordinary. Ewan does a wonderful job of making him ordinary, but he's still ordinary. Is that the idea of it? Or was he supposed to be more, and Ewan didn't do his job? Do we even know? I enjoyed his vocals, though. He opens his mouth when he sings, which from what I've noticed, a lot of people who aren't professional singers don't do. I just wish I hadn't been able to tell when they were lip-synching.

I read one review where the reviewer was happy Ewan didn't get naked in the film. *giggles*

My favorite Ewan movie remains Eye of the Beholder. (Yeah, I know a lot of people hated it.) And when I think about it, it's because he does such a good job of disappearing into the movie. (Do you get what I'm saying?) His character is, by all accounts, pretty much a spy who has to hide to keep spying. He has to blend in. And Ewan kind of blends in in MR, too. Christian wasn't quirky enough, character wise, to stand out like Toulouse-Latrec did. He didn't seem serious enough about the "truth, beauty, freedom, and love" tenants of the Bohemian lifestyle. At least not until after Satine died.

I wished Toulouse-Latrec had a bigger part because John Leguizamo did such a good job. The Duke annoyed the hell out of me (why oh why did Oprah think Satine should have gone with the Duke at one point?) with his nasty little voice - but I laughed so hard through the entire "Like A Virgin" scene.

And as for Nicole's performance - she just didn't melt enough to make Satine convincing. In some places, I think she tried too hard. And then there were a few spots where I could almost see that she didn't think she could pull it off. (I wonder who else they could have gotten to pull of those costumes like Nicole did, though. I can't think of anyone.)

Your comments are making me think more seriously about my mom's comment that Nicole's a phony. *sob* No, Nicole, you can't be a phony, because it wrecks like three stories I have started that you're in! But seriously, how do we ever know about anyone who's an actor/actress? They can't all be acting all the time, but I guess a lot of them - the minute they step outside the doors of their homes - become someone else. (That seems to be one of the pro-RPS arguments, too.)

It was a lovely movie, visually and musically, but it wasn't everything I'd expected. I have to admit I enjoyed the hype and the publicity and Nicole on talk shows more than the movie itself. Will I go see it again? Maybe. When I'm over feeling cynical towards it.

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Ruth Sadelle Alderson

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