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I don't make a habit out of reading House fic. In fact, I can only ever remember reading one other House fic and it's also fairly kinky (rec here). But when I was reading Sherlock d/s fic, I stumbled across the original prompt for "everything you won't tell me (is mapped in your scars)" and its prequels (my rec here) which referenced [livejournal.com profile] aris_writing's Directed Verse. The Directed Verse is a handful of stories set in a world where everyone is a dom or a sub. (I only read the House ones, not the Pirates of the Caribbean one.) I think what makes this one stand out so much compared to other variations on the theme that I've read is that while there are romantic relationships, the central conceit is an examination of identity in that kind of world. I have now made it sound much more boring than it actually is. It's not boring. It's fascinating. The last story closes off the House/Wilson arc, but I'm sorry the author stopped there. To me, the most interesting character is Cameron, and I wanted to see more about her arc.
"Cameron, everyone fucks up sometimes," he said. They stepped into the elevator, waited for the other passengers to clear out. "You can't expect things to go right every time. You have to pick yourself up and start over."

"Wisdom from the greeting-card industry," she said, jabbing the button of their patient's floor.

He sighed and crossed his arms. "Seriously. You can't go back to being a dom and pretend that none of it ever happened. That it isn't happening, that you don't fit into that box any more."

She looked at him. He was staring at her, expression tight, almost vulnerable.

"Maybe," she said, "maybe it's worth being a little less happy, if it means I get to keep my life."

She expected him to argue, but all he said was, "Maybe it's lucky that you get to make that choice."
The stories are several years old, so if you, like me, stopped watching House some time ago, everything will still be familiar to you.

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Ruth Sadelle Alderson

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