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The thing I really liked about Bone Crossed was that I finally got the emotional conclusion I wanted but didn't get from the previous book. When Mercy has her revelation in the SUV and asks Adam if he loves her, I finally got what I wanted. I also liked that it tied up all the storylines from the previous books, which makes me surprised to hear that she's planning on writing another Mercy book.
After I finished Bone Crossed, I decided to continue on with werewolf books and read Carrie Vaughn's Kitty and the Dead Man's Hand. You may remember that I've talked about this series before (spoilers for earlier books at both those links). I think this is the last Kitty book for me. First of all, I think it suffered in comparison to Bone Crossed, which is my fault for reading them one after the other. There are also overly detailed descriptions of the Vegas settings that had me skimming large paragraphs. But the biggest problem with it is that I just can't get past how betrayed I feel as a reader that Cormac's in jail and Kitty's marrying Ben. That's not how this plot is supposed to go, and genre novels defying my expectations irritates me. I'm not reading it for a twist; I'm reading it for a good story.
Then, completely unrelated to either of the two previous books, I read Perry Moore's Hero. Maybe someday I'll manage to get my thoughts together about how knowing about a book/TV show/movie changes what I expect out of it, but for now let me boil it down to: I think Hero is overrated. (Which I say without having read any particular reviews, just the impression I've gotten that a lot of people liked it.) There is one absolutely perfect moment in the book: when Goran is about to out himself (either as gay or as Dark Hero) to Thom. That scene was so amazing it made my heart turn over. I actually really liked the Thom/Goran plotline: as a non-idiot reader, I knew Goran was Dark Hero and I knew Thom wasn't going to figure out that or the fact that Goran was into him for a long time. I also liked Thom's rules about looking at porn.
On the gay protagonist side of the story, there were two things I didn't like at all. First of all, Thom not having any friends. That didn't ring true to me, and it felt more like Perry Moore imposing his teen years on Thom than him actually reflecting current experience. (The note on the about the author bit on the back flap that says Thom's father is based on Moore's father only confirmed this impression.) Maybe I'm out of touch and that is what it's like for gay teens even now. I would have liked it better if it were clearer that Thom had isolated himself, which I thought was maybe what we were supposed to think. Secondly, embarrassing teenage fantasies are embarrassing, and I don't need to revisit them whether they're gay or straight. Thom's fantasies about Ultraman completely reminded me of similarly cringe-worthy fantasies in a specific book I can't put a name to. In it, the teenage girl (like all of her teenage girl classmates) has romantic feelings for the hot young (English? History?) teacher. She somehow contrives to stay after school in his classroom and ends up listening to him have an argument on the phone with his wife about something like picking up diapers for the baby, and is subsequently disillusioned. I have no idea what book that was, but the embarrassment cringe has stuck with me.
On the superhero side of the story, I can also think of two things that bothered me. First of all, how did Moore not get sued by DC? He completely stole Superman's origin story for Justice. Secondly, Ruth's death had meaning for me (and not just because she has my name), but I didn't care that much about Larry's death or about Thom's dad's. Those should be emotional punches to the gut, and they weren't.
(no subject)
Date: 2009-03-31 06:36 pm (UTC)You'll have to tell us about hearing him speak!